Tag: landscape
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How I Spent My Summer
It’s interesting how often events and project don’t quite roll out as I imagine they will. These past nine months have been a perfect example of that. I always begin the year plotting a course, imagining what projects I’d like to finish, continue or start, what new creative possibilities I should pursue. Back in January,…
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Studio Notes: Moku hanga progress!
Last spring I mentioned that I was rekindling a relief printmaking practice — specifically, Japanese woodblock (“Moku hanga“), and I have indeed been spending a lot of time on this over the past year or so. Printmaking is very process-oriented, and it can take a long time (at least for me) to get finished results.…
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[Re-]Introducing Manomayakaya #3 – “Let it pervade everywhere”
Important Update, May 1, 2023: After thoughtful consideration, Arts Gowanus has decided to pull the plug on our Artsy gallery, referenced in the post below. The Artsy site will be up just until May 15, after which time the links below will no longer work. Welcome to March 2023! Somehow, 10 years has elapsed since…
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Pinhole research – December chill
I’ve recently started up again with some explorations in digital pinhole photography. How this works is: you take a digital SLR, take off the lens and replace it with a modified body cap that serves as the ‘pinhole.’ (I don’t recall where I purchased the pinhole cap, but if you Google ‘digital pinhole – Nikon‘…
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Painting of the week: “Osage chiasm”
This week’s featured painting is an odd one I created way back in 2009. “Osage chiasm” (that’s chiasm not chasm) is 20″H by 16″W, and is acrylic on canvas. The piece is essentially a stylized portrait of one of my favorite trees: a very old Osage orange that lives on the Nethermead in Prospect Park,…
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Featured painting of the week: The House is Burning
This week’s featured work is a painting — actually a diptych (two paintings that form one work) titled “The House is Burning.” The provocative title should make one think immediately of global warming – climate change. That’s certainly appropriate, but there’s even more to the story. Now seems like a good time feature this painting,…
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Breaking News: De-Natured, at the Old Stone House
Sorry for the last-minute announcement, but this all came together very quickly: I’m pleased to let you know that I will have work included in a show at the Old Stone House in Park Slope, Brooklyn. The show opens TONIGHT (October 15), 6-8pm. About the show: Nature is often bent to man’s needs and wants.…
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The Lifeworlds Project
Lifeworlds is a long-range painting project I started in 2012. The project started initially out of a desire to explore the square format in painting. The inspiration for this was not Instagram as one might easily suppose, but the square format Landscape paintings of Gustav Klimt. I then chanced upon the evocative term “Lifeworld” in…
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Project: 365
Back in October, I started a new, year-long project to document my ongoing practice of visual exploration. I think of this exploration as central to the work of the artist. I’m calling the project simply “365” and the end result (to the extent that a project like this ever ends) will be 365 small watercolors presented at this…
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One last look back at winter …
Winter is decidedly on its way out in these parts, but I couldn’t resist giving it one last parting glance this afternoon as I reviewed some photos I shot near Ivoryton, Connecticut in late February. I’ve been a photographer from an early age, at least since my grandmother passed along to me my grandfather’s old…
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Studio Notes – paysage planétaire completed
This is the final installment of my series of posts following the progression of a painting I started at the beginning of January – a “paysage planétaire” inspired in part by the work of Ferdinand Hodler and other painters from that era. So, in my last post, described the overpainting. Earlier this week, I put…
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Studio Notes – the paysage in progress, continued
As noted last week, I’m blogging the progress on a new landscape (a “paysage planétaire” in the spirit of Ferdinand Hodler). On Sunday, I completed the underpainting: Tonight, I had very little time to get into it, so I just worked on the sky and water – the blue areas, mainly. So far, so good!…