So join me in celebrating the arts and artists of Gowanus and take home a piece of original artwork from a local artist! I’m donating my painting Lifeworld 10 (2013):
Need I say that this is a rare and amazing opportunity to obtain one of my Lifeworld paintings at an amazing price?
By buying a ticket to the ArtWorks event you are buying a chance to “win” this fabulous painting along with 74 other great works made by artists working in Gowanus. Plus you’ll support the critical mission of Arts Gowanus to promote, support and advocate for local artists and a sustainable arts community in the Gowanus neighborhood. Here’s a link to some of the other artworks available.
In case the art isn’t appealing enough, don’t miss the food, drink and revelry.
Winter–in the eleventh month
Snow falls thick and fast.
A thousand mountains, one color.
Men of the world passing this way are few.
Dense grass conceals the door.
All night in silence, a few woodchips burn slowly
As I read the poems of the ancients.
I’ve recently started up again with some explorations in digital pinhole photography. How this works is: you take a digital SLR, take off the lens and replace it with a modified body cap that serves as the ‘pinhole.’ (I don’t recall where I purchased the pinhole cap, but if you Google ‘digital pinhole – Nikon‘ you’ll probably find it quickly). Your camera needs to be sophisticated enough to have all manual settings — and most importantly, the ability to manually hold the shutter open — it’s called ‘bulb’ on my Nikon.
Shooting pinhole is a very different experience, and I imagine it is closer to what the earliest photographers experienced. It requires patience and a great deal of practice.
One difficulty is that I can’t really get a good view through the viewfinder of what the shot is going to be. It takes some practice to aim the camera body in the right direction. Since the shutter needs to be open for a good 5, 10, 15, 20 seconds or more, one needs to be really immobile (a tripod or monopod helps).
Digital pinhole also suffers from the problem of dust on the sensor: something that wouldn’t normally happen with film pinhole technology, since each frame of film is virgin. The digital ‘film’, i.e., the sensor, is hardly a virgin, as it gets used over and over again, and my Nikon is pretty filthy at this point. Photoshop is a huge help at this juncture!
Shooting this way is a [potentially] meditative experience. In a recent outing, I came up with a number of really interesting shots that I can then liberally work with in Lightroom and Photoshop — it really brings photography closer to painting — and for me, provides fascinating subject matter for oil paintings I want to realize. (See Lifeworld series). So this pinhole outing is a form of visual research.
Below are a series of abstract detail shots that were all created from the full image shown above.
This week’s featured painting is an odd one I created way back in 2009. “Osage chiasm” (that’s chiasm not chasm) is 20″H by 16″W, and is acrylic on canvas. The piece is essentially a stylized portrait of one of my favorite trees: a very old Osage orange that lives on the Nethermead in Prospect Park, Brooklyn. This painting has been in my living room for the past several years, and I look at it every day. The photo doesn’t quite do it justice: the colors are weird and don’t reproduce well. In the real life the blues of the sky are considerably more vivid.